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Took a while to get through it, and will take a while longer to digest, but am glad I did go ahead and get a new copy. I needed to re-read it to firm up where I was going with the story.

This is in part because I actually started writing this novel back in May 2007. As noted in my LiveJournal at the time, I got mugged by the first 10,000 words just before Baycon, then dived into the copy of Troublesome Things which I'd bought some months earlier but not yet read, and then waved my arms at various people during Baycon. (Definitely [livejournal.com profile] ritaxis and I think also [livejournal.com profile] blakefancier.) And while I did a bit more after that, I was then distracted by the process of getting ready to move back to the UK, then doing so, and then job-hunting. At which point I started working on the Lord and Master shorts that became Volume 2 and a freebie on my website. Then I turned out another 15 or 20 kwords in the L&M universe -- and then pretty much stopped writing for a couple of years owing to a bad case of Life.

So although I had a rough outline of Taxman in my head, and had poked at it in a desultory fashion on and off, I hadn't seriously worked on it for four years. I was surprised by how freely it flowed when I did start writing again, in fact. I could probably have kept going with it, but I'd always intended it to be grounded firmly in the existing body of British fairy lore, and wanted to refresh my thoughts on that which I'd developed from reading the Purkiss book.

I suspect it's still going to take me at least a year to get a submission-quality draft though, even if I manage to keep up the pace I was hitting just before I stopped to sit down and re-read my research materials.
julesjones: (Default)
I've hit the section in the Purkiss book about Elizabethan English attitudes to fairies, which is where I really need to start paying attention. The first couple of pages of this section support some of the underpinning with regard to why the Bad Guy has been collecting fairy artefacts/lore/acquaintanceship before going on to collect an actual fairy -- by the time we get to Elizabethan England (as opposed to Scotland) it's all about the hard cash. Fairies have *gold*, and ways of acquiring more gold... Also some useful comments about Auberon/Oberon, which I may want towards the end of the manuscript.
julesjones: (Default)
Brain now only 10% mucus rather than 90% mucus, so I can more or less think again. But I'm inclined to leave the writing alone for at least another day, as I'm probably still in a state where I'll end up ripping half the words out again once I'm compos mentis.

Instead, some thoughts on developing the WIP, L&M3.
Read more... )
julesjones: (Default)
No wordage for Sunday and Monday, but 915 yesterday plus some reading for research. I picked up a copy of Diane Purkiss' Troublesome Things in Oxfam last year, because it was there and it looked as if it might come in handy as a writing reference, but hadn't started to read it until now. I've only got a couple of chapters in, but it's proving interesting.

I'm still trying to work out what the book is. It started with a very specific image, and I've got that down now in the 10,000 words I'd written by the end of last week. And I've got a rough idea of some of the things that happen later, why this fairy is running around modern London, why someone kidnapped him and how he drew that person's attention, and how the human who helped him when he escaped will be able to make sure he's permanently safe. But it hasn't gelled yet. And worse, I'm not sure that it's going to have enough sex to appeal to the erotic romance market, or that it's going to have enough plot to make 100,000 words so that I can try inflicting it on a fantasy publisher.

And then there's the issue of whether I want to take six months out to have another crack at a mainstream speculative fiction house when I've got an established name in a genre with something of a publish or perish problem. If I had a book in hand at Loose Id I'd be less worried about this, but I don't. I've got a novelette in the schedule and that's it. There's nothing in the pipeline other than that, and I need to get something done this year so that I'll have something for release next year. There's the space opera romance I was working on before I got mugged by this thing, but that looks as if it could be fairly longish and I'm still plot noodling on *that*.

I can see myself being a right pain at Baycon this weekend...

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