julesjones: (Default)
This is a 2005-release kit which I bought some years ago and have had sitting around half-completed for at least three years before finishing it off this month in a sudden fit of enthusiasm. The reason for that is that although it's a mini-kit, it's in the Advanced category, and that's in large part because of the Light Effects metallic threads.

The impression I had when I bought it was that the bracelets were brought out in part to introduce the then-new range of Light Effects threads (which were largely a re-working of the old Metallics range, and not really so new). I bought it partly because I thought the kit looked attractive anyway, and partly to try out Light Effects. I had very little experience with metallic threads at the time, and this seemed like a good opportunity to try them.

Having finally completed the kit, the threads do give an attractive effect. But my, are they the devil to work with. Thread conditioner is a must, and you really do have to use short lengths as they degrade and knot fairly quickly, although one good thing about the kit was that the threads came pre-cut to the correct length. They're springy and prone to wildly changing tension in one strand or the other in the course of a single stitch. These kits are really, really not for beginners, and don't let the apparent small size of the kit fool you into thinking it's a single evening's piece for an experienced stitcher. But used in the right way, on the right piece -- yes, these threads are worth the aggravation.

As for the kit itself, it's a narrow aida band fitted with bracelet findings at each end. All you have to do is the actual embroidery, there's no further making up required. In practice, I think the piece would benefit from having some felt or iron-on backing attached to the back, as the reverse side with the cut thread ends is going to be slightly rough against the skin, and the threads themselves would be vulnerable to wear without some protection against being rubbed. I think the kit could have been improved with the inclusion of a piece of appropriate backing material. I can't tell how robust the piece is in use as I've only just finished it, but the clasp looks to be cheap but reasonably sturdy.

I worked it without putting it into a frame, as normally I find pieces this small to be easier that way. But this piece has a particular problem -- the bracelet clasp includes a long chain for one side, which can be used to adjust the closed length to different sizes. It's a nice design detail on the finished piece, but the chain has a great talent for getting in the way and getting tangled in the thread when you're actually stitching the piece. In hindsight, I wish I'd mounted it on a small bar frame and taped the chain out of the way.

It's not perfect. But for four pounds, which seems to be the current going rate if you can find them online, I think this kit is good value for money as a way to try out a metallic threads project. It seems to be discontinued in all four colourways now, but some places still have stock.
julesjones: (Default)
Bought a cross-stitch kit from someone's stash clear-out advertised as new and unopened, complete with all you need including chart. It arrived this morning -- sans chart, and clearly having been opened at some time in the past.

I don't think this was a deliberate con, as it has all the hallmarks of the previous owner having opened it when *they* bought it just to check it had all the bits, and accidentally leaving the chart out of the packet when putting it away again. And even if there's a refusal to deal with it, I'm only out two quid. But damn it, I bought it because I liked the pattern and I was looking forward to doing it this weekend. :-(

ETA: and I already have a refund and apology for not checking. :-) I don't blame her for the problem, as it wasn't at all obvious until I got the bits out that the chart was missing.
julesjones: (Default)
Not the magazine of the same name, but an unrelated online shop for cross-stitch and other embroidery. I found them by googling for a particular Textile Heritage kit type I wanted that has gone out of print in all patterns other than one I don't like that much. They still had limited stock of the kit in one of my favourite Textile Heritage designs, so I decided to grab 2 while they were there, plus a couple of other items.

I got an auto-generated VAT invoice by email immediately. The following working day I got an "order has shipped" email to tell me that they'd had only one copy of the kit left and my payment had been adjusted accordingly, and an updated invoice. Three days later a stout envelope arrived -- the delay was entirely the fault of the post office, because the postmark showed that it had been posted first class on the same day as the "order shipped" email.

As noted, a stout envelope rather than a bubble envelope, but the items I'd ordered didn't need padding, and the envelope used was up to the job of protecting the contents. The package also included an unannounced free gift of a pack of embroidery 3/9 needles. The pack shows that they were packed as Woolworths branded stock of Coats needles, so I strongly suspect that someone has made a judicious purchase of relevant bankrupt stock. :-) No idea whether this is routine, or a way of apologising for the out of stock item. The packet included a paper copy of the invoice, with a standard debit card receipt stapled to it showing the amount actually debited -- it looks to me as if it's done manually as a "customer not present" entry on the bricks-n-mortar shop till at the time of packing.

Good service, and I'd be happy to order from them again.
julesjones: (Default)
...that's Stash Enhancement eXperience for the non-crafters. :-> The sewing shop in the village has decided to have a serious clearance sale of the cross-stitch kits that have been hanging around unsold for a few years. Some of the kits in question were ones that I had been refraining from buying on the grounds that I didn't have a floor stand, and then refraining from buying on the grounds that I had now bought a floor stand but that "Tallulah in Silver" was going to be occupying it for the next couple of years. However, when I see kits reduced to a fiver each, I am perfectly happy to increase the stash to several years' worth. Of course, this also means that I now need a couple of new sets of stretcher bars so that I can swap pieces in and out, not least to give me the occasional break from doing blackwork in silver lurex on black evenweave without it all being really tiny pieces.

Not that I object to really tiny pieces. I also bought a couple of Mouseloft kits, one of which has already been completed and will be heading off as a get well card. I'll probably do the other one on the train if I visit anyone over Easter -- they make nice train kits, as they'll fit on even a tray table if I can't get a table seat.

Speaking of "Tallulah in Silver", it is a slow stitch as expected, but I have a large enough section done now to be able to see how the blackwork comes up in the three metallic threads used for outlining and texture. The crystal and silver beads will be left until after all the threadwork is done, but even so it shimmers with light on the worked section.
julesjones: (Default)
This is a (now out of print, I think) mini kit from DMC which uses printed aida fabric and includes a frame for the finished piece. The picture on the packet made it look like quite an attractive little piece. Alas, it also made it look as if the printing was just to give a nice textured background for the seahorses, starfish, and shells, but on opening the packet, this turned out not to be the case. The entire picture is printed on the fabric, and you simply stitch over selected highlights, rather like a cross-stitch version of a paint-by-numbers kit.

This in itself wouldn't, and didn't, stop me trying it out. Unfortunately, the printing doesn't match the aida blocks well, or indeed at all. Nor does it match the paper pattern given in the kit. Try to follow the pattern, and you'll end up with half the printed picture sticking out from underneath the stitching. Try following the printed picture, and you'll end up with a very odd looking seahorse.

At first glance this looks like something that might be suitable for beginners, but in reality it needs a certain amount of experience to understand how to work around its shortcomings. I think a beginner could get incredibly frustrated with this kit. As an experienced cross-stitcher I found it annoying to have to spend so much effort on fixing the flaws. It's a shame, because if this had been what I thought it was, it would have been a very pleasant way to pass a few hours.
julesjones: (Default)
Time to start making notes on some of the magazines I buy... New Stitches was one that I wasn't terribly interested in, because it covers all embroidary techniques and I'm really only interested in cross-stitch and blackwork (plus a vague interest in trying hardanger one day), so there wasn't usually enough to make it worth buying the magazine. But over the last few months there has a been a strong focus on those techniques, and even the other articles have been interesting to read as a theoretical study of a technique, so I've been buying it regularly. I picked up the March issue last week, and while I won't stitch any of the designs and intend to pass it straight on to Watervole the next time I see her, I found it well worth the money.

On the theory side, there is a study of the different effects that can be achieved using cross-stitch interspersed with blank squares to fill in a backstitched outline, using an autumn leaf shape. There's also a nice study of using different blackwork patterns over a pale cross-stitch to give different textures to a sheep's fleece, and this is the one that would tempt to me to keep the magazine for later use.

Introduction to a new technique covers silk ribbonwork -- I'd never try this, but it was interesting to read.

The two large patterns are a cross-stitch panel of 7 different coloured irises, which can also be stitched individually, and a blackwork clockface pattern in different colorways. The clockfaces didn't appeal at all, but I liked the irises a lot, and would try them if my stash wasn't already several years' worth.
julesjones: (Default)
I swore I wasn't going to buy any more cross-stitch porn^Wmagazines until I've cleared a few of the existing patterns. I've been on the wagon for months. And then [livejournal.com profile] agentxpndble posted a link to [livejournal.com profile] crafty_tardis, and one of the earlier posts there pointed out that CrossStitcher 202 has a nice little Dalek pattern.

So I walked around the various magazine-selling shops in the village until I found one that stocked it. :-)

Also, it turns out that the magazine did a pattern of David Tennant as the Doctor last year, and it was so popular that they've put it online as a free download:
http://mos.futurenet.com/pdf/crossstitcher/david.pdf

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julesjones

May 2025

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