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(Book 26 for 2010)

Fifth Torchwood tie-in novel, and the middle one of the trio released for the second season. This one has a couple of references which place it late in second season, but no spoilers, and you don't need to know anything but the basics about the universe to enjoy it.

Michael Bellini's a Cardiff dockhand, part of a workgang waiting to unload a ship late one night in 1953. A ship whose cargo includes a crate marked "Torchwood". A strange explosion leaves him in hospital, the only one of his mates to survive. But that's not the worst of his worries. There are the men who say they're from the union, but who are clearly government agents. They're not nearly as frightening as the men in black suits and bowler hats, who aren't men at all.

In the present day, a quiet Sunday in the Hub is interrupted by the intruder alarm. A young man has suddenly appeared in a locked room, and he's riddled with a strange form of radiation. It doesn't take long for the team to establish that he's a local boy, but out of time. Not so strange for Torchwood, but there's a twist -- they've all encountered Michael before. Owen was a junior doctor, learning the necessary art of forgetting about his patients at the end of the day. Tosh was a little girl in Japan. Gwen was on her first day with a new partner, and somehow feeling as if it was her first day in the police force. Ianto was in his second week at Canary Wharf, making friends with another recent starter called Lisa.

And Jack? Well, Jack's been with Torchwood a long, long time. His own encounter with Michael was out of hours, but he still knows something about Michael's first encounter with Torchwood, and the alien artefact that sent Michael leaping through time. And a few more things besides.

This is a beautifully constructed novel, which uses Michael's leaps back and forth through time to tell a solidly plotted story around Michael and the artefact, while giving some lovely backstory and characterisation for each of the main cast. Something I particularly liked is that we see the characters when they were younger, and in those scenes they feel like younger versions of themselves, before various things happened to them. There's also some good characterisation in the present-day scenes. The nature of the book means that all of the main cast get a good share of the word count.

This is my favourite of the novels so far. That's partly because it plays to things I like, but it's also because it's well written. And while the canonicity of the Whoniverse tie-in material is ambiguous, I think this one adds a little more depth to the Torchwood world, not just another monster-of-the-week story.

LibraryThing entry
Play.com
Book Depository
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This is the fourth title in Andre Norton's Beast Master series. The first two (The Beast Master and Lord of Thunder) were written by Norton in 1959 and 1962. Three sequels were published as collaborations in the 2000s. The cover says by two authors, but it was obvious within a couple of chapters of this one that the only input by Norton herself was a story outline, if that. It got only more obvious as the book went on, because McConchie a) has not written a convincing pastiche of Norton's writing style, b) is not as good a writer. McConchie's own website states that all three of the "collaborations" were written solely by McConchie from brief collaboratively written outlines.

I don't have a problem with high quality sharecropped novels -- after all, I like good fanfic, and I'm perfectly happy to pay for pro-published fanfic if it's good enough. However, for me this example isn't good enough to buy, although it's worth checking out from the library if you want to read more about the beast masters. A particular irritation for me was that McConchie is addicted to head-hopping, and is not good enough to make it transparent. This is not just using an omniscient point of view -- this is dropping into a different character's head for a paragraph or two, sometimes in mid-paragraph, in order to provide information that the main character for that chapter can't know. By contrast, Norton had very tightly controlled point of view -- and as a result was the author who got me thinking at a young age about how different POVs work, and how it can be used to give different effects. Thus the head-hopping had a fingernails-down-blackboard effect on me, although other readers might not be irritated by it.

The primary focus of this book is Laris, a young woman who accepted bonded servant status to a circus owner to escape a refugee camp. Laris has a valuable talent with animals, and is used both in the ring acts, and behind the scenes to look after the animals. In her time with the circus, she's realised that it has ties to the Thieves' Guild -- and the latest scheme is the abduction of beast master's animals. When the circus heads to Arzor, she's used in a plot to acquire Hosteen Storm's animals. Laris's sympathy is with Storm and his family, but Laris has a beast companion of her own to protect... There's enough backstory dropped in that you could read this as a standalone, although I'd really have to suggest you go and get the original pair of books instead.

The story's enjoyable and fits in well with Norton's world, even if I didn't like some of the writing. Would I read the other two novels McConchie wrote using Norton's setting and characters? Yes, but going by this one I wouldn't go to any great trouble or expense to acquire them, and I probably wouldn't keep them once I'd read them.


LibraryThing entry
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In the year 1345, an alien spacecraft lands in the small English village of Ansby, expecting an easy defeat of the local primitives. Unfortunately for them, the local primitives are preparing to go on Crusade, and their reaction to having one of their number burned where he stands is a disciplined military reaction. That discipline and the aliens' surprise results in the English capturing the ship. Unfortunately for the English, the last alien survivor manages to lock the ship onto an autopilot program that will return it to its base. Unfortunately for the alien empire, that gives the Baron 10 days of travel time to come up with a plan to conquer the garrison on the alien colony planet...

It sounds daft, and it is, but Anderson was a good enough writer to pull it off. Sir Roger may be a mediaeval baron, but he has an open mind, an excellent grasp of tactics, and a sound understanding of practical psychology. That makes him a formidable opponent for an empire that hasn't had to deal with serious opposition for generations. It also makes for a very funny story, particularly when Sir Roger cheerfully lies his way through various negotiations, presenting himself as the representative of a large multi-planet empire.

First published in 1960, this is a short novel by today's standards, but just the right length for the story it tells. It's enormous fun, and well worth a read.

LibraryThing entry
at Amazon UK
at Amazon US

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